Gap handling : Appended to previous track Used interface : Native Win32 interface for Win NT & 2000 Null samples used in CRC calculations : Yes Used drive : TSSTcorpDVDWBD SH-B123L Adapter: 1 ID: 0įill up missing offset samples with silence : Yesĭelete leading and trailing silent blocks : No
Various / Baby Driver - Music From the Motion Picture September 2016ĮAC extraction logfile from 5. Danger Mouse - Chase Me (Featuring Run the Jewels and Big Boi) (3:44)Įxact Audio Copy V1.3 from 2. Simon and Garfunkel - Baby Driver (3:16)ġ5. Barry White - Never, Never Gonna Give Ya Up (4:48)ġ3. Brenda Holloway - Every Little Bit Hurts (2:55)Ġ9. Sam and Dave - When Something is Wrong with My Baby (3:14)Ġ5. Martha Reeves and the Vandellas - Nowhere to Run (2:46)Ġ4. Alexis Korner's Blues Incorporated - Early in the Morning (2:56)Ġ2. Detroit Emeralds - Baby Let Me Take You (In My Arms) (3:51)ġ5. Incredible Bongo Band - Bongolia (2:12)ġ4. The Dave Brubeck Quartet - Unsquare Dance (2:02)ġ3. The Beach Boys - Let's Go Away For Awhile (2:17)Ġ7. Googie Rene - Smokey Joe's La La (2:56)Ġ5. Johnathan Richman and The Modern Lovers - Egyptian Reggae (2:37)Ġ4. The Jon Spencer Blues Explosion - Bellbottoms (5:18)Ġ3. This is a soundtrack album that could potentially stand alone, without simply backing a movie.01. Also, a few club worthy tracks appear in the latter half of the album: Mantronik's remix of an EPMD piece, New Order's new wave/club "Confusion," and Expansion Union's "Playing With Lightning." It's a nice album, overall, for the ability to stick more or less within a genre, and at least within a mood. He still raps, but with a nice thick accent and a noticeably reggae-tinged delivery. Dancehall master Bounty Killer also makes an appearance, which essentially adds a different flavor to the rap that's being presented. On a related note, however, other newcomers, such as Wolfpak, provide rather inferior material ("this the gangsta bou-ou-nce, get off your ass and bounce - bounce bounce bounce bounce bounce").
There are actually quite a few masterful MCs here - Mystikal is able to produce some high speed deliveries, and KRS-One is, of course, one of the accepted masters of the New York scene. Darker rhythms and beats predominate here, as they ought to for such a movie. It's not too bad, thanks to the fact that it stays within a single genre almost exclusively. The album is basically a lot of rap, with a good deal of New York-based work (obvious exception to the New York part: Mystikal obvious exception to the rap part: New Order).
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